This premium lens delivers superlative image quality, and dust/moisture resistance means consistently reliable performance. A bright F1.8 maximum aperture, 7-blade circular aperture and aspherical element deliver impressive image quality with beautifully defocused background bokeh, all in a surprisingly compact and lightweight package. Thanks for reading the fine print. Here are our top recommended lenses for Sony a6400 APS-C format mirrorless camera. Before you faint from sticker shock, bear in mind that Cine lenses featuring minimal focus breathing, no axial shift and no focus shift while zooming are extremely costly to produce. The FE 135mm f/1.8 G Master (about $2098) is a telephoto prime that takes you a little closer to the action than many other models in its price and size range. and compact, the Tamron 28-75mm F2.8 for Sony E-Mount delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh) provided by fast F/2.8 aperture. The extra reach comes with a full stop down coming in f/5.6, but color reproduction is great, as is contrast – and bokeh is pleasant. When users buy our independently chosen editorial The FE 200-600mm features an aspherical element and five Extra-low Dispersion glass elements to minimize chromatic aberrations while allowing you to have better image resolution and render beautiful bokeh and it will reliably track and accurately capture all types of moving subjects including birds, wildlife, athletes in motion and much more. It’s sharp generally across the whole frame – more-so on the edges if you stop down a little, and bokeh is great, especially at the telephoto end. Sony 10-18mm f/4 OSS (35mm equivalent of 15-27mm) is a top choice for wide angle zoom lenses as it is very sharp, focuses quickly, minimum distortion with a swift autofocus and it weighs only 7.9 ounces. Rokinon AF 35mm f/1.4 FE ($799): The new ROKINON 35mm F1.4 AF Full Frame lens for Sony E is designed to appeal to enthusiasts and professionals who are ready to take the next step up in wide angle photography where outstanding image clarity, contrast, color fidelity, high corner to corner resolution are priority. Read more. Three low dispersion glass elements and three aspherical elements, including a double-sided element, effectively control spherical aberrations and distortion for increased sharpness and accurate rendering. With a few new offerings from Sony, a small number of our previously included lenses saw their spots zapped up by superior glass. Aperture ring designed for still or movie shooting, Corner to corner sharpness w/Advanced Spherical elements. They will not physically fit any other Sony E-mount lenses. Together with Optical SteadyShot image stabilization, ensures beautiful high-resolution results for both still and video shooting. You’ll also find that most manufacturers, including Canon, Nikon, Sony, Sigma and Tokina, make very similar 24-70mm zoom lenses. Sony's come out with a handful of new lenses since our last visit to this ranking, but the two that stood out the most and made their way onto our list were the FE 12-24mm f/2.8 G Master and the FE 35mm f/1.8, the latter of which replaces the previously included 35mm f/2.8, which had both a slower maximum aperture and a smaller light collecting area, without there being a huge difference in price. It’s not the absolute all-rounder the 18-105 is, but its compromises are fair considering its reproduction skill at its maximum focal length. Sigma 14-24mm f/2.8 DG DN Art Lens ($1,399): Wide full-frame E-mount lens with f/2.8 maximum aperture! Compact and light in weight! Ideal for Photojournalists, sports and wedding photographers, it covers portrait-length to telephoto perspectives and it is sharp, focuses quickly, has minimal distortion. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. Sony FE 70-200mm f/4 G OSS ($1,498): The small size, versatile 35mm focal length, and outstanding overall performance of this lens make it an ideal match for compact 35mm full frame format E-mount bodies. It also features class-leading close-up performance, with a minimum focusing distance of less than 3 feet (0.9m) and a maximum magnification of 0.31x, making it an ideal choice for tele-macro photography. The barrel extends at the telephoto end, but there’s got to be some compromise for having such a compact lens, and it’s worth keeping an eye for zoom creep. Ideal for general photography! It has fast focus and does capture sharp images and comes with OSS when natural light is low. For all you shutterbugs out there who rely on Sony cameras and are ready to add a new dimension to your photography, check out our selection of the company's finest lenses. 'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); Using the links below to make any purchase will support this site, and we'll give you more latest camera & lens news, rumors and deals. Read more: Best Memory Cards for Sony a6400. Please Note: these adapters will NOT fit on the FE 70-200 F4 G OSS. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7R IV and one of the sharpest lenses that Sony has ever built. For professional portrait photographers and those who want the very highest in quality, the new Sony FE 85mm f/1.4 GM Lens is the lens you must need and you won’t find a better FE-mount lens! Sony FE 35mm f/1.8 Lens ($748): The compact and lightweight Sony FE 35mm f/1.8 prime lens provide mobility and convenience for shooting a wide range of subjects from everyday snapshots, food photography, landscapes, night scenes and more. Sony also came out with an exceptional 600mm prime for sports and wildlife shooters, with a fast f/4 aperture, but it comes in with a hefty price tag, so we included it in our special honors section for its quality and performance, but thought it wouldn't make sense in a field of pro-level glass that runs a tenth of that price on average. Great quality and a much better price than the native lenses. Sigma 35mm f/1.2 DG DN Art Lens ($1,499): First wide-angle AF lens with F1.2 maximum aperture! Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198): Well-suited to a variety of telephoto needs, this Sony FE 70-300mm f/4.5-5.6 zoom lens (105-450mm equivalent zoom range) balances both a versatile focal length range along with a sophisticated optical design for maintained image quality. The bokeh is silky smooth and it also offers fast, precise AF drive, plus top-level control and reliability that make it an outstanding choice for professionals. It features a very fast and bright f/1.8 maximum aperture to support working in dimly-lit conditions and for greater control over focus for shallow depth of field imagery. Sony always makes and introduces the top of the line camera and its lenses. Skip to the best sony lens on Amazon. Sony FE 85mm f/1.4 GM ($1,798): The top FE portrait lens! Voigtlander 110mm f/2.5 Macro Apo-Lanthar ($498): Featuring an apochromatic design, the Voigtlander 110mm f/2.5 Macro Apo-Lanthar can produce detailed images with little to no aberration, even with the high resolutions of modern digital sensors. So, if you are the lucky one who have already got the Sony a7R IV, the next thing is to find the best/right lenses for Sony a7R IV. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. Sony shooters can rest assured that they have some of the best sensor technology in their camera bodies, with some of the fastest, most reliable autofocusing out there. The bright F1.4 maximum aperture takes the stress out of working in difficult lighting conditions, and provides shallow depth of field for greater point of focus control, while the circular 9-blade diaphragm delivers pleasing bokeh at all settings. The lightest in its class, weighing in at only approx. 281 g Click here for the latest price. Shooting up close at F2.8 can produce some extraordinary background bokeh. It is one of the good choices for best Sony E-mount lenses available. Within just a couple of years, those three manufacturers have taken the market by storm with each its own lineup of mirrorless interchangeable lens camera systems and a slew of clear, high-quality lenses. Rokinon AF 14mm f/2.8 FE ($849): An excellent performer! If you’re planning to use your E-Mount camera for video as well as photography, you’re going to need lenses that are up to the job. This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on. Sony FE 50mm f/1.8 ($248): The most affordable FE glass with great performance! Each one is specifically designed to give you an ideal focal length and aperture for capturing stunning portraits, landscapes, wildlife shots, or fast-moving action, ranked here by sharpness, performance, and versatility. If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the Sony FE 90mm f/2.8 Macro G OSS lens. That’s not to say the sales were suffering – but the beautiful shots produced by DSLRs also came with a pretty big downside: even the smallest DSLRs with compact kit lenses were bulky – and that in itself was enough to keep all but the professionals away. And it’s an okay solution for those on a budget. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down. It must be a question of image quality. It is one of the Sony E-mount lens you must have. Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. Featuring a sophisticated optical design, a series of low dispersion and aspherical elements is used to minimize both chromatic and spherical aberrations throughout the zoom range in order to achieve high sharpness, clarity, and color accuracy. Sony Zeiss FE 35mm f/1.4 ($1,598): Fast, sharp, and loaded with the latest technology, the FE 35mm f/1.4 ZA offers outstanding optical performance in a versatile 35mm focal length. The focal length itself tells you how much of a given scene your lens can capture. Great portrait lens! 'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); Using the links below to make any purchase will support this site, and we'll give you more latest camera & lens news, rumors and deals. From sweeping landscapes through portraits to sports and wildlife, Sony 18-200mm F/3.5-6.3 lens (35mm equivalent of 27-300mm)) will cover it all. The ultimate in convenience. This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. Class-leading size and weight reductions have been achieved while maintaining outstanding optical performance. As is often the case, stopping down a little can help here, with f/8 being the sweet spot. So, the best lens for vloggers is a wide angle lens, ideally in the 10-25mm range. The latest advances in optical design technology have made it possible to deliver prized Carl Zeiss contrast and clarity in a high-performance mid-range zoom. An internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. Ideal lens for travel and event photography, walkaround and family shots. It offers even … Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture, which excels in low-light conditions and also offers increased control over depth of field. Sigma lenses are some of the best options for popular camera brands including Canon, Nikon, Sony, Pentax, Leica, and cine options. Sigma 16mm f/1.4 DC DN ($399): Perfect for nature & event photography! Sony 10-18mm f/4 OSS Lens ($748): Highly recommended! Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. If you believe that your product should be included Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. If you are looking for the best native 100-400mm telephoto zoom lens for shooting wildlife, sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. FE 600mm ƒ/4 GM Super For sports and wildlife shooters who need to get particularly close to the action, this massive telephoto option boasts a fast ƒ/4 aperture that's great for dimly lit arenas and nighttime exteriors. To make room for those two new lenses, we sent off the old 35mm, as well as the FE 55mm ƒ/1.8, which, despite its Zeiss glass and good price, felt redundant in the presence of the superior Planar FE 50mm f/1.4 ZA, which is a tad wider and undeniably faster, but that also boasts a larger front element to collect more light and significantly increase its low-light performance. The technology behind the camera lens reaches back to at least the 5th century BCE, when we find the earliest reference to a stone used for magnification, specifically in this case to focus sunlight on kindling as a fire starter. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. Sony FE 12-24mm f/4 G Lens ($1,698): Sony’s widest full-frame E-mount lens. The 14-24mm f/2.8 DG DN Art is built to last and has no trouble keeping up with the a7III’s sensor. 1. Highly recommended! Add in Carl Zeiss glass, constant f/4 and an anti-reflective coating and the lens is capable of stellar image quality. But it also functions as an excellent “normal” lens for day-to-day shooting, and a smooth, quiet internal lens drive system makes it suitable for shooting movies as well. Discover Lightroom Presets, Add-Ons, Social Media Templates, Video LUTs, After Effects Templates, Capture One Styles, Overlays, and more. An Art-series zoom, this lens is also distinguished by its fast f/2.8 constant maximum aperture to suit working in available lighting conditions. It made it onto our last list by the skin of its teeth, and though it's convenient for its size and weight, its image quality ultimately left something to be desired. Sony FE 55mm f1.8 ZA review The Sony FE 55mm f1.8 ZA from 2013 is a very successful standard lens: small, light, sharp across a 42MP full-frame sensor, with excellent resistance against flare and glare in adverse contra-light situations It may only offer an f1.8 focal ratio but its slightly longer 55mm focal length compensates a bit when it comes to background isolation. It’s not always the easiest to squeeze smooth bokeh out of, and some believe it could be sharper on the telephoto end, but most will be perfectly happy with the results and the fact it rarely needs stopping down. Sony 35mm f/1.8 OSS ($448): This compact Sony 35mm f/1.8 OSS lens (35mm equivalent of 52.5mm) is a leading Sony E-mount lens and can be termed as the best lens in the market for lowlight photography with a maximum aperture of f/1.8 coupled with Sony’s OSS image stabilization. The FE 35mm f/1.8 (about $748) is a great choice for street photography, amateur filmmaking, and some portraiture. In general, we advise against using lenses outside of your system unless there is an undeniable increase in quality. DDSSM (Direct Drive SSM) focus drive provides fast, precise, quiet autofocus, allowing the user to concentrate fully on capturing superlative stills or movies. Stable, fast, versatile, and compact, the new Sony a6400 mirrorless camera boasts the world’ s fastest AF acquisition of 0.02 seconds, Real-time Eye AF and Real-time Tracking capabilities, high-speed shooting up to 11 fps and silent shooting up to 8 fps, both with AF/AE tracking, an upgraded BIONZ X image processing engine, an LCD touchscreen that tilts 180° up and 74° down, UHD 4K movie recording with full pixel readout and no pixel binning, internal recording for time-lapse videos, and more. It's an ideal set for event shooters, especially wedding photographers who need to cover everything from tight church interiors to "the kiss" as caught from a distance. in this review, you may contact us, but we cannot guarantee a response, even if you send us flowers. The revised sensor design uses a Fast Hybrid AF System, with 567 phase-detection autofocus points, for notably fast and accurate focusing performance. Sharp in-focus rendering is achieved with a floating focus mechanism that suppresses aberration equally at all focusing distances, whether the subject is far away or extremely close. Tamron 17-28mm f/2.8 Di III RXD Lens ($899): Comprising a flexible wide-angle range, the 17-28mm f/2.8 Di III RXD from Tamron is a versatile zoom for full-frame Sony E-mount mirrorless cameras. However, the important thing is that it is present in some form, which is a no-brainer at these sort of telephoto lengths, and if you’re using a Sony camera such as the a6500 that also features IBS (in-body stabilization) the combination of both will reward you with 5 axis stabilization – meaning you’ll be able to capture fantastic long range video. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. With a variable length of 18-105mm; almost 6x zoom, it’s also a great walk-around lens for photography. Telephoto shooters can make great use of the FE 100-400mm f/4.5–5.6 GM (around $2498), which can deliver bright shots in poorly lit environments like sporting arenas, especially when combined with one of the company's high-performance bodies. If you’ve got … Sony doesn’t just slap the G moniker on any lens it produces – and this means you can expect that little bit more as a result. from Amazon, Walmart, Ebay, Target, and others, and may earn advertising fees Daniel Imperiale holds a bachelor’s degree in writing, and proudly fled his graduate program in poetry to pursue a quiet life at a remote Alaskan fishery. Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. Large f/1.4 maximum aperture excels in low-light conditions and also affords greater focus control for producing shallow depth of field effects. Your email address will not be published. While these mirrorless bodies were exceptional pieces of equipment, interchangeable-lens cameras are only as good as the lens available to them. help fund the Wiki. Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498): Highly recommended! The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. Five Star! A manufacturer can pack enough megapixels onto a tiny sensor and connect it to a powerful enough device to capture decent images through a small, poorly made lens (see: every cell phone in existence), but the ceiling to that quality is low and definite. Sony FE 85mm f/1.8 Lens ($598): Budget option with great performance! Camera News, Rumors & Deals on Camera Times. All of a sudden, without having to fit in the mirror mechanism, cameras got much smaller and lighter, yet could produce images of the same quality. And great in lower light environments, such as outdoors at sunset. With an effective 24-105mm full frame equivalent range (due to the fact that most Sony’s use an APS-C sensor) it’s capable of covering a lot of traditional prime focal lengths. Naturally, it’s not quite up there with a Prime, as is practically always the case with a zoom, but it’s a truly solid lens. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and two XA (extreme aspherical) elements, which significantly control spherical aberrations for a high degree of image sharpness and clarity. Whether you have an APS-C Sony camera for a full-frame model like the Sony A7R IV, we've tested all of the best lenses to help you find the right ones for your camera and style of photography. Perfect for expansive landscapes, interiors and group shots. Best All-In-One Lens: Sony 18-200mm f/3.5-6.3 OSS LE, Best Wide-Angle Zoom Lens: Sony 10-18mm f/4 OSS, Best Wide-Angle Prime Lens: Sigma 16mm f/1.4 DC DN, Best Macro Lens: Sony FE 90mm f/2.8 Macro G OSS, Best Standard Zoom Lens: Sony Zeiss 16-70mm f/4, Best Sports and Wildlife Lens: Sony FE 70-200mm f/4 G OSS, Vlogging Lenses | All-In-One Lens | Wide-Angle Zoom Lenses | Wide-Angle Prime Lenses | Portrait Lenses | Macro Lenses | Standard Zoom Lenses | Sports and Wildlife Lenses. It is an absolute must for wide-angle fans who try manual focus often and want to capture even the tiniest details of a special moment in a photo or on film. which will be the same as any direct visitor to the merchant’s website. Best Wide-Angle Prime Lenses for Sony a6400, Best Sports and Wildlife Lenses for Sony a6400, Rokinon / Samyang 12mm f/2.0 NCS CS ($294), Sony FE 90mm f/2.8 Macro G OSS Lens ($998), Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198), Sony a6400 Achieves an Overall DxOMark Sensor Score of 83 Points, Watch Sony a6400 & New E-Mount Lenses Live Announcement at 13:00 EST Today, Great Sony a6400 Bundle Deals: Sony a6400 w/ 55-210 $998, w/ 16-50 & 55-210 $1,098, w/ 18-135 & 55-210 $1,398, Silver Sony a6400 now Available for Pre-order at Amazon JP. Ideal for landscapes, architecture, close up portraits, sports, action and much more. There is no more potent variable in the quest for image quality than the lens. Debuting the world’s first 1.8 wide-angle lens, the 14mm F1.8 Art incorporates the same groundbreaking aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art. The ability to switch from wide angle to telephoto without having to change lenses also means that more of those fleeting moments that make great shots will be captured. Zeiss Batis 25mm f/2 ($1,299): Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. Sony FE 100mm f/2.8 STF GM OSS ($1,498): Delivering both smooth bokeh and fine sharpness, the Sony FE 100mm f/2.8 STF GM OSS mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. It’s also among the brightest wide-angle lenses with an aperture of f/2.8 regardless of focal length. Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. Daniel’s recent obsessions include horology (making him a pro when it comes to all things timekeeping) and Uranium mining and enrichment (which hasn’t proven useful just yet). Here’s a list of E-Mount fullframe and Super 35 cine lenses for video filmmakers and cinematographers using Sony E-mount mirrorless cameras, camcorders and video cameras. For consumers making the jump to a higher level camera from exclusively using their cell phone or a small, digital point-and-shoot for their photography, any lens, by virtue of its size increase alone, will seem far superior. UMC anti-reflective coatings and three aspherical lens elements combine to limit chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity. Superior autofocus is what makes the FE GM 70-200mm f/2.8 (about $2598) a nice selection. If you are looking for a great 85mm lens with an affordable price, the Sony FE 85mm f/1.8 lens willl be a nice choice! Created for full-frame Sony E-mount mirrorless cameras, the Sigma 14-24mm f/2.8 DG DN Art Lens provides a versatile range of wide-angle focal lengths with excellent image quality while optimizing size and weight. If you’re planning to use your E-Mount camera for video as well as photography, you’re going to need lenses that are up to the job. we may earn commissions to Rokinon 100mm f/2.8 Macro ($549): Featuring a macro design, this Rokinon 100mm f/2.8 Macro lens affords a 1:1 maximum magnification ratio along with a minimum focusing distance of 1′. Most videographers and vloggers will hold their cameras out in from of them via their arms, or attached to a mini tripod. Photo: Sony. Mixing a comfortable wide-angle design with an ultra-fast maximum aperture, this Sigma 16mm f/1.4 DC DN is a 24mm-equivalent prime for APS-C-format Sony E-mount mirrorless cameras. Zeiss Batis 85mm f/1.8 ($1,199): An ideal portrait-length lens, this Zeiss Batis 85mm short telephoto has been designed specifically for full-frame E-mount mirrorless cameras: superb sharpness, fast & quiet auto focus and Dust and weather sealed. Characterized by both its fast f/2.8 maximum aperture and inclusion of OSS (Optical SteadyShot) image stabilization, this lens is ideally-suited for handheld shooting of distant and fast-moving subjects. Get close with this full-frame 50mm macro lens and wide F2.8 aperture and a 6.25” (0.16m) minimum focusing distance with a 1:1 macro capability. Sony 16-50mm f/3.5-5.6 OSS ($348): This compact Sony 16-50mm lens (35mm equivalent of 24-75mm) covers shooting lengths from true wide angle to standard portrait length and it is perfect for everyday walking around, portraits and vacations. It is extremely convenient. A smaller number preceding the mm measurement is a wider angle that will cover more space. Best Lenses for Sony a6400 mirrorless camera. Ideal for portraits, head shots and lowlight photography. Featuring the world’s first 35mm full-frame 61 MP Exmor R BSI CMOS Sensor and enhanced BIONZ X image processor, the Sony a7R IV (Amazon, B&H, Adorama) offers impressively high-resolution stills and video while minimizing noise, improving speed, and achieving a wide 15-stop dynamic range. Sigma’s award-winning Art line carries the best ultra-wide zoom lens for Sony’s excellent full-frame camera. A bright lens like this is also an advantage when shooting indoors or outdoors in low light. It’s lightweight and remarkably comfortable to hold and operate and it is perfect for sports or nature photography when you want to get up close from far away. Sony Zeiss FE 50mm f/1.4 ($1,498): With its normal perspective, fast maximum aperture, and high-end design, the Planar T* FE 50mm f/1.4 ZA Lens from Sony is easy to see as a go-to standard optic for full-frame E-mount shooters. Sony started producing fantastic cameras (eventually under its Alpha series moniker) – especially the A6k series that featured fantastic APS-C sensors and a raft of features such as in-body stabilization on higher models at pretty competitive prices. Overview of Features With an angle of view of 99 degrees, fantastic imaging performance, excellent sharpness & low light performanc and light weight, the Zeiss Touit 12mm f/2.8 lens (35mm equivalent of 18mm) is one of the very first choices for wide angle photographers & enthusiasts, particularly for landscapes and architectural photography. Fixed focal length lenses, called primes, tend to be sharper simply because manufacturers only have to account for sharpness at the one focal length, instead of having to distribute it across many points. A lens with a variable focal length, more commonly known as a zoom lens, will let you see more or less of a scene from closer or farther away without having you move your body an inch. That’s right, the 55mm f/1.8 is getting long in the tooth… Its share of the digital camera market in the late 1990s was never particularly impressive, but in 2005 Sony acquired what was left of the Minolta brand and all of its infrastructure. The only downside of this lens is its price. And the Sony FE 1.4x & FE 2.0x Teleconverters ($548) are specially designed for the Sony FE 70-200mm F2.8 GM & Sony FE 100-400mm f/4.5-5.6 GM OSS Lenses. With those tools at their fingertips, the company invested heavily in its D-SLR line, leading to the high quality A-mount lenses on our list. Sharp and faster than the Sony 10-18mm. This trinity starts at a wide focal length, (11mm in Canon's case, 14mm in Nikon's) and extends out to 200mm over the course of three lenses, each one picking up where the one before it left off.