1980 Henri Cartier-Bresson: 300 photographies de 1927 à 1980 – $18.00 shipping. He was an early user of the 35mm filter and was known for his very unique view of photography in that he considered it as a medium to capture a ‘decisive moment’. Award 2001 Paysages, Delpire éditeur; (Landscape Townscape) Thames & Hudson, UK; "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," May 25, 1993–July 4, … of Modern Art, New Delhi, India – Bibliothèque Nationale de France, Paris, France; Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; 22 August 1908 – 3 August 2004) was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. In 2003, with his wife and daughter, he created the Fondation Henri Cartier-Bresson in Paris for the preservation of his work. Finland 1954 Les Danses à Bali, Delpire éditeur, France 1998/00 Henri Cartier-Bresson Portraits: Tête à Tête – National Portrait Gallery, London, 1991 Henri Cartier-Bresson – Osaka University of Arts, Osaka, Japan In the text, Henri Cartier-Bresson describes his conception of photography briefly, but touching all its key aspects (color, technique, composition, sequence, etc.). The combination of architectural elements and the blurry image of the biker emphasize movement through their spirals, curves, and slight distortion. I … Henri Cartier-Bresson. 1963 Photographies de Henri Cartier-Bresson, Delpire éditeur, France; 2006 Portraits par Henri Cartier-Bresson, Thames & Hudson, France; USA Jonathan Cape, GB; Asahi Shimbun, Japan Behind Gare Saint Lazare was taken in 1932, in the early years of Cartier-Bresson’s career. City Art Gallery, Leeds, UK; Museum of Modern Art, Oxford, UK In the 1970's the French photographer Henri Cartier-Bresson had already become a living legend. Diagonal to the figure is a poster featuring a finely-drawn image of a female dancer leaping gracefully into the air. 1968 Cartier-Bresson: Recent photographs – The Museum of Modern Art, Speed and instinct were at the heart of Henri Cartier-Bresson’s brilliance as a photographer. Cartier-Bresson was considered a master of candid photography and a pioneer of street photography. 1964 Photographs by Cartier-Bresson – The Phillips Collection, Washington D.C., USA 1970 Vive la France, Robert Laffont, France; (Cartier-Bresson’s France) New York confronts issues of subjectivity and veracity, as do many of the films Cartier-Bresson made after WWII. (The portraits of Henri Cartier-Bresson) Thames & Hudson, UK 1975 Deutsche Gesellschaft für Photographie 1963 China as photographed by Henri Cartier-Bresson, Bantam Books, USA The Metropolitan Museum of Art. New York, USA, Seattle Art Museum, Seattle, USA He was fascinated with the new technology of live television broadcasting and combines technological layers in this single, complex image. 1994 Hommage to Henri Cartier-Bresson – ICP, New York, USA Thames & Hudson, UK; 1933 Photographs by Henri Cartier-Bresson and an exhibition of Richmond, USA, Palacio de Bellas Artes, Mexico City, Mexico; A street photographer who became a master of candid photography. It was an extremely challenging shot for Cartier-Bresson who never used a flash. Cartier-Bresson has framed the photograph so that, while only a small portion of the crowd that had amassed can be seen, the viewer can easily imagine the crush of bodies beyond the confines of the picture's borders. $289.16. 2003 De qui s’agit-il ?, Gallimard/Bibliothèque Nationale de France; He died at his home in Provence on 3 August 2004, a few weeks short of his 96th birthday. The improvements in camera technology allowed for such images to be made and this progress is celebrated in Cartier-Bresson's photographs. Place de l'Europe is one of only a few photographs that Cartier-Bresson ever chose to crop. After all, HCB is often credited as the “grandfather” of the genre. Birla House, India documents a visibly shocked Prime Minister of India, Jawaharlal Nehru, announcing the death of Mahatma Gandhi to the crowd outside his home. Place de l'Europe is one of Cartier-Bresson's most successful images. Pavillon de Marsan, Paris, France; Kunstgewerbemuseum, Zürich, Switzerland; In the photo, the subjects stand together in a crush of bodies whose desperation fuses them into a single mass. Paired with the aid of his Leica, Cartier-Bresson discovered the possibility of creating geometrical constructions in photography, structures that were enclosed within a perfect proportion (2:3) of the frame. Silver Gelatin. Open tweet, [PERLES DES ARCHIVES] 1948 Overseas Press Club of America Award, 2006 Scrapbook – Fondation Henri Cartier-Bresson, Paris, France 1987 Henri Cartier-Bresson – The Early Work, The Museum of Modern Art, New York, USA Cartier-Bresson took Hyéres while on vacation in the Cote d'Azure region. 1950 HENRI CARTIER-BRESSON Paris Couple Romance Place Pigalle Photo Gravure Art. It became so iconic that TIME Magazine proclaimed it one of the 100 most influential photos of all time. 1970 Henri Cartier-Bresson: En France – Galeries nationales du Grand Palais, Paris 1908-2004 About Henri Cartier-Bresson was born in 1908 in Chanteloup, France. 1944/45 Le Retour (The Return), 32′, b&w Thames & Hudson, UK, Schirmer & Mosel, Germany; Rodger’s images made during the liberation of the city were exclusively for LIFE Magazine, and accordingly do not feature here, though he does – in a photograph by Cartier-Bresson, below. Behind the T.V., on an elevated podium, an emcee describes the contestant's actions to home viewers and the studio audience. In fact, his photos are the last ones ever taken of Gandhi. Henri Cartier-Bresson is a name like no other when it comes to street photography. 1966 Photographies d’Henri Cartier-Bresson – Musée des Arts Décoratifs, It’s Martin from All About Street Photography, and today I want to talk about Henri Cartier-Bresson’s iconic photo of a cyclist, titled Hyères, France. Ordinarily, he avoided adjusting his work after originally framing a shot and instead embraced unmediated chance encounters, an aesthetic preference and practice that made him one of the founders of street photography. 1997/99 Des Européens – Maison européenne de la Photographie, Paris, France; 1937 Victoire de la Vie (with Herbert Kline), 49′, b&w He pioneered the genre of street photography and was a founding member of Magnum photography in 1947. Germany; Bremer Kunsthalle, Bremen, Germany; Staatliche Landesbildstelle The elevated vantage point of the photographer-observer, at the top of the steep riverbank, initiates a kind of cascading visual effect as he glances down at the picnickers who in turn look down toward the boat as it rests on a river mirroring the sky. Cartier-Bresson received an extraordinary number of prizes, awards, and honorary doctorates. 1972 The Face of Asia, John Weatherhill, USA & Japan; Orientations Ltd., 1979/80 Henri Cartier-Bresson Photographer, ICP, New York, USA; The Art Institute, (Mexican Notebooks 1934-1964) Thames & Hudson, UK; Paris, France 1975 Culture Prize One thing that he is renowned for, was his work on what he calls the decisive moment. Hong Kong; (Visage d’Asie) éditions du Chêne, France Giacometti, no more demonstrative than his sculpted companions, carries yet a smaller sculpture whilst clenching a cigarette between his teeth. A hazily-captured building in the distance contrasts with the richly ornamented, spiked fence and the two diverse elements combine in an alchemy of lines, curves, and reflections that creates the urban background for the jumper. Read more about Cartier-Bresson's life and career at Biography.com. Henri Cartier-Bresson was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. Henri Cartier-Bresson is a French humanist photographer, widely considered to be a pioneer in the field of street photography and acclaimed for his mastery of candid photography. Contrasto, Italy International Center of Photography, New York, USA The ragged edges of the white, stuccoed wall could just as easily be the very surface of the photograph tearing open and inviting the viewer to look on undiscovered. Gelatin Silver Print - Metropolitan Museum of Art, New York City, NY. Giacometti's angled posture echoes the slanted stances of his two most famous statues. Inexplicably, the shoes take on a significance because of their displacement. Framed by the empty, bombed-out section of a wall, the children interact joyfully and uninhibitedly among the ruins and desolation, in a space that is profoundly unchildlike. 54k Followers, 358 Following, 77 Posts - See Instagram photos and videos from Henri Cartier-Bresson (@_henricartierbresson) Taking pride in capturing “the decisive moment,“ Cartier-Bresson intimately captured portraits and scenes, both mundane and historic, around the world. His dramatic black-and-white works are among the most iconic images of … Henri Cartier-Bresson Cartier-Bresson’s black-and-white photos are among the most iconic in photography, including his powerful images of some of the major political moments in the 20th century. With this image, he succeeded in capturing what the Surrealist Andre Breton described as the consummate photograph: when '"shadow and prey mingled in a unique flash. 1953 Great Documentary Photographer: Henri Cartier-Bresson – The Art Institute The big format really do merit the quality of the content. Cartier-Bresson captures the chaos of the turbulent transition years of 1948-49 in Shanghai. All Rights Reserved. It was that of the poet Ezra Pound in Venice in 1971, a year before his death at 87. New York, relying on the centuries old painting trope of "a picture within a picture," presents three separate stories in a single image. USA Dotan first tried to find contact sheets of the photo. Indeed, the uncanny juxtaposition was a hallmark of Surrealism that Cartier-Bresson found irresistible. The photo actually documents a busy Giacometti installing the exhibition showcasing the two celebrated sculptures, Grande Femme Debout (Large Standing Woman) and L'Homme Qui Marche (Walking Man). Thames & Hudson, UK, Schirmer & Mosel, Germany He was influenced by his father, a respected and wealthy textile merchant and his uncle, an accomplished painter. 1958 Henri Cartier-Bresson: Fotografie, Statni Nakladatelstvi 1987 Henri Cartier-Bresson in India, Thames & Hudson, UK, USA The iconic railway served as the setting for many famous 20th-century painters such as Manet, Caillebotte, and Monet, all of whom had been influential in Cartier-Bresson's own artistic development. Musée de l’Elysée, Lausanne, Switzerland; ICP, New York, USA; Thames & Hudson, UK; Simon & Schuster, USA Gelatin Silver Print - Met, New York, New York. The Museum of Fine Arts, Houston, USA 1991 L’Amérique Furtivement, Le Seuil, France; (America in Passing) Bulfinch, USA; The television in the foreground represents the contestant as the viewer at home sees him on their television. Gelatin silver print - Museum of Modern Art, New York, New York, Hyéres, France is an example of Cartier-Bresson's commitment to a sense of geometry and order. Cast off and ordinary, in the context of this image, juxtaposed with the mysterious male torso, there is no logic to their inclusion in the composition. This photo would also come to embody what he later described as the "decisive moment" - that instant a photographer decides to press the shutter and the event it memorializes. Victoria & Albert Museum, London, UK Juvisy depicts two couples picnicking on the banks of the Marne river on a warm summer's day, a scene that had become almost ubiquitous in Impressionist paintings. “There was a tremendous, heavy silence,” recalled Ms. Franck, herself a photographer. Open tweet, [DANS LA BIBLIOTHÈQUE DE LA FONDATION HCB] Although HCB was, unquestionably, a key figure in the development of what would become known as street photography, his role may not have been as intentional as we sometimes like to believe. Graves Art Gallery, Sheffield, UK; City Art Gallery, York, UK; Henri Cartier-Bresson, a filmmaker and co-creator of the photo agency Magnum, established photojournalism as an art form. The Getty Museum, Los Angeles, USA 1935 Fotografias: Cartier-Bresson, Alvarez Bravo – Palacio de Bellas Artes de Mexico, [Internet]. The poster for a circus called "Railowsky" is a visual play on the jumper's stiff stride that extends in a blur across the picture frame. As a young boy Cartier-Bresson read the literature of the day by authors such as Dostoyevsky, Rimbaud,… Henri Cartier-Bresson (1908-2004), arguably the most significant photographer of the twentieth-century, was one of the co-founders of Magnum Photos in 1947 and champion of the “decisive moment”. On the surface, Cartier-Bresson is depicting a familiar trope from the history of art and, in particular, the recent Impressionist movement: people engaged in leisure activities in the Parisian countryside. (Gli Europei) Peliti Associati, Italy 1964 Overseas Press Club of America Award The Leica allowed the photographer to interact with the surroundings and to… Open tweet, [FONDATION HCB’S EXHIBITIONS] 1974 A propos de l’URSS 1953-1974 – ICP, New York, USA Paris, France; Villa Comunale, Milano, Italy; Kunsthalle Köln, Germany 1986 Novecento Premio Cartier-Bresson was instead swept up in the Surrealist movement, inspired by the different schools of photography that were popping up around Europe in the 1920s. Cartier-Bresson had in fact been sent on assignment by the left-wing Paris newspaper, Ce Soir, to document the workers' movement. Henri Cartier-Bresson was a French photographer and filmmaker known as a pioneer of street photography. Bulfinch, USA; (Henri Cartier-Bresson Seine Kunst Sein Leben) Browse 506 henri cartier bresson stock photos and images available, or start a new search to explore more stock photos and images. The Museum of Modern Art, New York, USA Gelatin Silver Print - Henri Cartier-Bresson Foundation - Paris, France. Cartier-Bresson manages to convey his friend's characteristic nervousness at the same time that he imposes a sense of elegance on this scene: the figures move in tandem, there is a kind of partnership brought about by resemblance between the artist and his works. They are completely unaware that they are being observed. He covered Gandhi's funeral and was one of the last people to speak with him before he died -little more than an hour before he was shot and killed. Museo della Fotografia Storica; Torino, Italy; Kunsthalle, Düsseldorf, Germany; USA It is a psychological portrait of the photographer and of the nation as a whole in addition to functioning as a visual historical document. Mexico City, Mexico $18.00 shipping. After three years he had spent travelling in the East, in 1952, he returned to Europe, where he published his first book. In 1947, he formed Magnum Photos, a photography cooperative, with Robert Capa and others. Alexander Calder, Rox… Stadtisches Museum, Leverkusen, Germany; Kunstverein München, Munich, Henri Cartier-Bresson Download in printable version (pdf, 2.03 MB ) For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. 1938 L’Espagne vivra, 43′, b&w 1969 Les Français, éditions Rencontre, Switzerland ), La Guilde du Livre, Lausanne, 195… This photograph, shot during a trip to Mexico in 1934, exemplifies the heavy influence of Surrealism on Cartier-Bresson's work, an influence that endured, resurfacing at times as late as the 1960s. Materials. 1952 Photographs by Henri Cartier-Bresson – Institute of Contemporary Arts, London, Musée d’Art moderne de la Ville de Paris, Paris, France 1994 Double Regard. In 1947, with Robert Capa, George Rodger, David ‘Chim’ Seymour and William Vandivert, he founded Magnum Photos. Ateneo Club, Madrid, Spain, Bibliothèque Nationale de France, Paris, France Bresson (1908-2004) was a French photographer, who predominantly used the medium of 35-mm photography. 1969/70 Southern Exposures, 22′, color R.B.A Gallery, London, UK; Nihombashi Takashimaya, Tokyo, Japan; The dramatic lighting aids in relaying the gravity of the historic speech and the pathos of the moment: the outline of Nehru's head is illuminated while his face remains obscured by shadow; the British officer sitting next to him is similarly lit. The voyeuristic nature of the photographer's vantage point - peering at the children from beyond the bombed-out wall - adds a more complex, psychological dimension to the image: the children become, in a sense, actors on a stage. 1957/60 Henri Cartier-Bresson: The Decisive Moment (same exhibition than in 1955/56) – (Henri Cartier-Bresson: Photographer) Bulfinch, USA; Mid-20th Century Henri Cartier-Bresson Photography. Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; August 22, 1908 – August 3, 2004) was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. (Photographs by Henri Cartier-Bresson) Grossman Publishers, USA; Museum of Modern Art, Tel Aviv, Israel The Art Institute of Chicago, USA Cartier-Bresson's early exposure to and education in painting heavily informed the way he viewed the world and conceived of photographic composition. Schirmer & Mosel, Germany UK de Young Memorial Museum, San Francisco, USA, IBM Gallery, In order to avoid being detected, he painted the shiny parts of his Leica black so as not to draw attention to himself. The Var department. The Philadelphia Art Institute, Philadelphia, USA 1966 After The Decisive Moment 1966-1967 – Asahi Shimbun, Tokyo, Japan 1995 Carnets mexicains 1934-1964, Hazan, France; 1947 HENRI CARTIER-BRESSON Vintage Los Angeles Oilfield Tower Beach Photo Art. France; (The World of Henri Cartier-Bresson) Viking Press, USA However, as is often the case with his work, the photographer also engages with the social and political: at the time Juvisy was made, French workers were involved in a campaign to win more vacation time. 1996/99 L’Imaginaire d’Après Nature, Fata Morgana, France; (The Mind’s eye) (Landschaften und Städte) Schirmer & Mosel, Germany Cartier-Bresson's work spanned photographic genres for the entirety of his long career. Gelatin Silver Print - The J. Paul Getty Museum, Los Angeles, California. 1954/56 D’une Chine à l’autre, Delpire éditeur, France; (China in Transition) Explore {{searchView.params.phrase}} by color family {{familyColorButtonText(colorFamily.name)}} In this deeply unsettling image, frantic Chinese citizens have lined up to sell their gold before Mao Zedong's revolution could render even the reliable currency of gold obsolete and impoverish them further. 1985 Henri Cartier-Bresson en Inde, Centre National de la Photographie, France or Best Offer. "Henri Cartier-Bresson: The Early Work," September 1, 1987–November 1, 1987. A fragment of the fence that he is behind can be seen in the original shot and partially obscures the view. Hyères. (Henri Cartier-Bresson Messico 1934-1964) Federico Motta Editore, Italy 1984 Paris à vue d’oeil – Musée Carnavalet, Paris, France Throughout his childhood, Cartier-Bresson was interested in the arts. 1950 Vintage HENRI CARTIER-BRESSON Segovia Café Window Men Spain Photo Art 11x14 Kahitsukan Kyoto Museum of Contemporary Art, Kyoto, Japan French photographer Henri Cartier-Bresson, an admirer of Kertész, is often credited with bridging art and documentary photography. 1955 Les Européens, Verve, France; (The Europeans) Simon & Schuster, USA (Di chi si tratta ?) New York, USA The half-naked man who seems to be writhing free of the remainder of his clothing could be contorting himself in either agony or ecstasy - the ambiguity is what makes the image, at least in part, so deeply unsettling. Bulfinch, USA; Schirmer & Mosel, Germany; 1985 Photoportraits, Gallimard, France; Thames & Hudson, UK, USA; The claustrophobic character of this image, captured so succinctly by Cartier-Bresson is all too real as the photo was taken before ten lives were lost in the suffocating crush. National Portrait Gallery, Washington D.C., USA Musée Carnavalet, Paris, France Schirmer & Mosel, Germany He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.. Cartier-Bresson was one of the founding members of Magnum Photos in … Every photographer has to make a choice when to pre… The … Open tweet, [PEARLS FROM THE ARCHIVES] 1947 The Photographs of Henri Cartier-Bresson, The Museum of Modern Art, USA, 1969/70 Impressions of California, 23′, color He travelled around the world capturing scenes and telling stories with his images. Jusqu’à sa réouverture, la Fondation HCB propose de redécouvrir ses Perles des Archives, régu… New York, relying on the centuries old painting trope of "a picture within a picture," presents three separate stories in a single image. On the Place Du Tertre, Montmartre, Paris, 1952 - Henri Cartier-Bresson . The instant is filled with a sort of dynamic anticipation. National Gallery of Modern Art, New Delhi, India As I mentioned earlier in the introduction of this article that many people have … 1984/85 Photographs by Henri Cartier-Bresson from Mexico, 1934 and 1963 – Art Museum of South Texas, Corpus Christi, USA; $279.11. This photo reveals Cartier-Bresson's witty side. Leonardo Arte, Italy UK; Scottish National Gallery, Edinburgh, UK; 1952 Images à la Sauvette, Verve, France; (The Decisive Moment) Simon & Schuster, Stockholm Modern Museum, Stockholm, Sweden, 2006 Scrapbook, Steidl, Germany The ambiguity of the picture space is a testament to Cartier-Bresson's engagement with Surrealism, of which visual puzzles were a major feature. 1982 Photo Poche, Centre National de la Photographie, France Louisiana Museum, Copenhagen, Danmark, Art Museum Helsinki City, Helsinki, Museum, Hamburg, Germany; Palazzo della Societa per le belli Arti, Milano, The group stands in for the millions of Chinese citizens who queued up throughout the country. His photographs were known all over the world and in France his name was synonymous to photography itself. Aperture, USA 1947 Vintage WILLIAM FAULKNER Writer Rat Terrier Dog HENRI CARTIER-BRESSON Photo. Federico Motta Editore, Italy 1935 Documentary & Anti-Graphic Photography – Photographs by Cartier-Bresson Cartier-Bresson's taste for construction through a tight, clear system of carefully ordered forms stemmed from his art teacher, Lhote, who was a Cubist painter. On Buddhism. 1969 L’homme et la machine, commissioned by IBM, éditions du Chêne, France; M.H. Center for Creative Photography, Tucson, USA 1954 Overseas Press Club of America Award De Menil Collection, Houston, USA Born in Chanteloup-en-Brie, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism.In 1932, after spending a year in the Ivory Coast, he discovered the Leica – his camera of choice after that moment – and began a life-long passion for photography. The multiple layers of both perspective and representation he creates emphasize the capacity of the camera - whether in motion or still - to manipulate the viewer and, in this instance, create varying versions of the "truth." Thames & Hudson, UK; Viking Press, USA 1978 Cartier-Bresson: Archival Collection – Osaka University of Arts, Osaka Although Cartier-Bresson produced portraits of other successful artists of the period such as Matisse, Picasso, and Dalí, among others, he and Giacometti had been friends since the mid-1930s and enjoyed a particularly close relationship, which included a shared inexhaustible curiosity concerning the human condition. 📖 “La Chine dans un Miroir”, Claude Roy (dir. Hayward Gallery, London, UK; Le Botanique, Bruxelles, Belgium; Cartier-Bresson was aware that, if the subjects in the snapshot knew they were being photographed, spontaneity would be compromised. 1998 Tête à Tête, Gallimard, France; Thames & Hudson, UK; In the background, three men occupy a stage that can only be seen by the studio audience. The stair rail leads the viewer's eye spiraling down to the street where the cyclist is frozen in the exact void between the building and the stair railing. The photograph is as much a document of Cartier-Bresson's sudden awareness of the historical import of the event and, moreover, of the particular moment it captures: the independence of India from British colonial rule and the tragedy of Gandhi's death. 1932. You will miss some of the most remembered photos of Cartier-Bresson: the man in the bicycle and the spiral stairs, the two «voyeurs»...But there is a lot to be amaze. 1983 Henri Cartier-Bresson: Ritratti 1928-1982 (Collection “I Grandi Fotografi”), This photograph captures a group of children playing in the rubble in Seville, Spain. University of Fine Arts, Osaka, Japan Cartier-Bresson had joined the French Army as a corporal in the Film and Photo unit in 1939 but had been captured by German soldiers a year later. While he admitted that, at the time, he had been "too shy and too young to talk," he absorbed a great deal and retained some of the major themes of the Surrealists such as bodies deformed or in fragments - disembodied limbs, heads, torsos, mannequins, wrapped or otherwise obscured objects, and often bizarre juxtapositions of unrelated objects. ©2021 The Art Story Foundation. Thames & Hudson, UK; 1985/88 Henri Cartier-Bresson en Inde – CNP, Palais de Tokyo, Paris, France; 1991 Alberto Giacometti photographié par Henri Cartier-Bresson, Franco Sciardelli, 1960 Overseas Press Club of America Award Cartier-Bresson photographed the taping of a T.V. The cascading or layered visual effect of the photograph is echoed in the narrative. Premium Poster: FRANCE. 1936 Une Partie de Campagne, second Assistant to Jean Renoir, [IN THE FONDATION HCB’S LIBRARY] 1996 Carnets mexicains de Henri Cartier-Bresson – Centre National de la Photographie, Italy He is regarded as a pioneer of candid and street photography but he is also well-known for having produced some of the most compelling photographic portraits of notables ranging from Jean-Paul Sartre and Leonard Bernstein to Marilyn Monroe and Malcolm X. He photographed Gandhi literally minutes before he was assassinated, and he stayed to cover the funeral. From 1968, he began to curtail his photographic activities, preferring to concentrate on drawing and painting. Museum of Modern Art, New York. 1959 Prix de la Société Française de Photographie Gelatin Silver Print - Henri Cartier-Bresson Foundation, Paris, France, Content compiled and written by Jackie Meade, Edited and revised, with Summary and Accomplishments added by Brynn Hatton. Walker Evans & Manuel Alvarez Bravo – Julien Levy Gallery, New York, USA; As a photographer in the Realist tradition, he imbues the image with his own humanist sensibility, combining social commentary with his own striking sense of candor. Henri Cartier-Bresson took many portrait pictures during his life, but his wife, Martine Franck accompanied him to just one — probably atypical — portrait session. Life magazine sent Cartier-Bresson to China to document the civil war and unrest that accompanied the political transition from the Chinese National Party, Kuomintang, to Communist rule under Mao Zedong and the People's Liberation Army. Anti-Graphic Photography – Julien Levy Gallery, New York, USA; He pioneered the genre of street photography, and viewed photography as capturing a decisive moment. Gelatin Silver Photograph - National Gallery of Victoria, Melbourne, Australia. Like the Surrealist painters, Cartier-Bresson's Surrealist photographs are perplexing and, in some cases, disturbing visual games intended to provoke the subconscious mind to make connections that are deeply personal. Born in Chanteloup-en-Brie, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism.Â, In 1932, after spending a year in the Ivory Coast, he discovered the Leica – his camera of choice after that moment – and began a life-long passion for photography.Â, A Brief History of California’s Wildfires, Magnum photographers capture the landscape, Witnessing the Storming of the US Capitol, Inside the World of a Photobook Publisher, Contact Sheet Print: Plants Werner Bischof, Professional Practice Series: Developing Personal Projects, Creative Documentary and Photojournalism with Magnum Photos and Spéos, Build trust with subjects in these 17 lessons, Vintage Poster: Henri Cartier-Bresson Europeans – Hayward Gallery, 1998.