The result was a list of action verbs—"to roll, to crease, to curve"—that Serra compiled, listed on paper, and then enacted with the materials he had collected in his studio. A performance based on the first of Richard Serra's verb list.

There are probably over sixty or seventy of them. In the mid-1960s Richard Serra began experimenting with nontraditional art materials like fiberglass, neon, and rubber, and also with the language involved in the physical process of making sculpture. In this case, the verb was “to lift.”. The artist grinds pomegranate seeds and rose petals into a powder, then rolls 44 cigarettes. Serra was exposed early to the processes of metalwork ; his father worked as a pipe fitter in the shipbuilding industry, and Richard worked in steel mills during his college years. In 1967, he began composing a list of verbs: “to roll, to crease, to fold, to bend.”

So I wrote down a list of verbs: to lift, to curl, to roll, to bend, to tie, to curve, to inlay, to splash. She lights 6 … —in four columns of script. —and 24 possible contexts— of gravity, of entropy, of nature, etc. He began to explore ways of making sculptures where … An important new acquisition for MoMA’s Department of Drawings, Serra’s Verb List (1967–68) serves as a kind of manifesto for this pronouncement. In pencil on two sheets of paper, the artist lists the infinitives of 84 verbs— to roll, to crease, to fold, to store, etc. To Roll. The result was a list of action verbs—among them “to roll, to crease, to curve”—that Serra compiled, wrote on paper, and then enacted on the materials he had collected in his studio. However, he grew concerned that the finished works were mere records of the forces that formed them. This work, made from discarded rubber recovered from a warehouse in lower Manhattan, is a result of the rubber's unique response to the artist's enacting of the action verb "to lift." And I decided to work those verbs in relationship to material in place and time. in English literature. Serra began to use lead in 1968 to enact sculptural processes such as rolling, tearing, and casting. Richard Serra: When I was working in the early 1960s, I wanted to reduce things to pure process and activity. He entered the University of California, Berkeley, in 1957 and graduated from the university’s Santa Barbara campus in 1961 with a B.A. In the 1960s, Richard Serra used industrial materials to explore the physical conditions of making and viewing sculpture.

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